Trànsits

Born in Argentina, she trained there as a circus artist, focusing on aerial acrobatics. She obtained the title of Professor of Body Expression-Dance at the University of Arts of Buenos Aires; complementing her training with other arts of movement. She is professionally dedicated to aerial disciplines and scenography.

She participates as a performer in the ‘DanzAbismal’, a group of dancers dedicated to researching, experimenting and producing performative interventions in non-conventional spaces. She co-founded ‘Companyia Anexo23’ with Meme Canziani. Together, as directors and performers, they created the piece ‘PVC (C2H3Cl)n’, which was presented in various locations in Buenos Aires.

Recently, she has created her company to carry out and deepen her new contemporary circus project, ‘Tension’, which was selected by CircusNext 2024.

Tension

It is the intimate space where discomfort resides. It’s this lift, the staircase, the emergency exit. A body in contact with the object. A hostile object that damages its skin; it becomes skin, flesh; it could be another body, perhaps this body attacking, manipulating, sniffing. Bodies talking about their limits, playing with the abyss: How much pain can we endure? How much tension can we resist? Hold on!

Hold on? It could break at any time. A large latex wall that divides the interior of the exterior. Domination, submission, subjugation. From pleasure to pain and grief to aggression. The exhibition of fragility fighting to feel safe. A party with balloons: the celebration of order and disorder. The jump, the fall. Chaos, what a great chaos! It is freedom to submit!

Photo: Flavia Andolfi

Alexandre Duran Davins (1997, Catalonia), trained in circus at the Rogelio Rivel school in Barcelona, the Lyon Circus School and the ESAC (École Supérieure des Arts du Cirque), where he specializes in pole. It is also trained in theatre, with the Stanislavski method, in martial arts, in dance-theatre and Krump dance. He currently resides in Catalonia and is in the process of creating the piece ‘Insula’.

Insula

It’s a moment, like those moments in life, that are not understood but that appear and cross through us. Even though we are social beings, the reality is that the only thing that belongs to us is ourselves. By choosing solitude, I take control over the only thing I have control of—myself. But it’s not easy.

Maragda Induráin and Maria Estela met and studied at the La Madó Dance School (Vilassar de Mar) from 2015. At the same time, each has been trained in different techniques. Maragda Induráin, contemporary dancer and circus artist, was part of the Cia jove Fre3Bodies 2018, studies at the Rogelio Rivel and dancer at the Cia Roseland Musical. Maria Estela, performer and singer, graduated from the Institut del Teatre, resident at Lo Spazio, research centre and artistic practices, collaborates with national musicians and dancers, and works for the next production of the Teatre Akademia 2024 directed by Moreno Bernardi.

Nowadays they are realizing their first project together, the search of stage poetic between the chinese pole, the voice and the word. We will experiment with possible methodologies based on improvisation and repetition dynamics, in order to enter into what music and movement suggest.

He was born in Friuli, studied graphic design, came to Turin as a juggler but ended up hand in hand. After three years of training at the Flic circus school, he moved to Barcelona, where he improved the hand-to-hand technique and cultivated his artistic side. He has worked on several projects and companies, such as “Viso&Rachel” “Cieocifa” and with the “Fabbrica C” collective.

He currently lives in the fruline mountains where, in Circo all’Incirca, he regularly teaches hand-to-hand classes. He also collaborates as an artist and set designer with the Brocante association and with Roberto Magro. He is also in the process of creating the piece ‘Fragile’.

Fragile

Balance is alive.
A controlled precariousness, where risk suspends us.
And if it falls? doesn’t always matter.

Arrel Guevara studies the degree of Social and Cultural Anthropology in Barcelona while starting to train as a circus artist in different spaces such as Atlantis and Gente Colgada. Later, in 2020, he decided to become an artist at the CAU Circus and Theatre School in Granada, where he specialized in trapezium, and also took a social circus course at the Ateneu Popular 9Barris. Currently, he works as a circus trainer at the Circo Aire and La Volta schools, and continues to train in dance, acrodance, theatre and trapezium. He is in the process of researching and creating his first solo, ‘Lutum’.

‘Lutum’

‘Lutum’ comes out of my ass, but not just from mine; it comes out of the anus as a hole susceptible to violence. ‘Lutum’ is the encircled framework within the body that only needs to be alive to die. It’s the mud entering the veins without asking for permission and taking you to paralysis. It is to tray the bones and organs deposited in a body that is transformable and deciduous. That it is penetrable and impenetrable. Organic and grotesque. Fixed and stroboscopic. Hysteria and white space.

From the most private to the public emergency: sexuality, gender, violence and disease are the elements of the human being that converge in that scenic experience, represented through the body, trapezium, drag and words.

He has had circus, dance, currently two theatre companies; bands, orchestras, dúos and solos. He has been a musician since he has memory, accompanying the creation processes of Losin’Form’Alls, Circ Vermut, Alba Ramió and Ildor Llach, and a string of French companies such as INO Kollektiv. He has worked as a sound technician, light technician, distributed magazines and stacked powdered detergent packages on a pallet in a warehouse. He has also worked as a music teacher.

4A

Ideally it would be a lot of things, objects and techniques and records and shadows; but since it’s a simple inquiry now, I’ll stick to music and circus, mechanics and trajectory.

Cata Aguayo is a multidisciplinary stage artist, researcher and teacher, born in Uruguay. Diploma in circus arts at the University of San Martín, Buenos Aires, and at the higher school of circus arts in Toulouse, ESACTO – Lido. She studies various techniques of contemporary dance and improvisation, specializing in Asymmetrical
Motion, with Lucas Condró. He also studied vocal technique and singing.

In 2018, she created with Alejandro Dutra, the company Olga – Cirqanalogique, finalist at Circusnext 2020-21, winner of the Cross-border Cooperation Fund Travessia Pyrénnés de Cirque and awarded by the Toulouse City Council and the Department of Haute-Garonne. Currently, they are creating their second show. She has been an interpreter for the French companies L’Éolienne and La Grue, choreographer of La June Compagnie and external gaze of several emerging companies. Since 2018 he has been directing the Annual Air Research Laboratory, of La Bonita cooperative.

Pandora

Pandora investigates the gap that exists between the place we are socially attributed to and what we choose to occupy. This margin between what is inherited and what is built. It is born of a desire for reconciliation with one’s own uniqueness, where the personal rebel to thunder universal and political.

Foto: Sofia Chopitea

La 3 et demie is a company composed of five circus artists, specializing in acrobatic: Chiara, Hannah, Apolline, Baptist and Elie. Between 2019 and 2022 they trained at the International School of Circus and Theatre CAU, in Granada, where they met and created the company. Since October 2022, they continue their acrobatic training with the artist Amer Kabbani. In 2023 the company began its first creation with the show ‘Será peor después’.

‘Será peor después’

‘Será peor después’ is a show for all kinds of audiences that mixes circus, theatre and object manipulation. Hand to hand and acrobatics of all kinds are at the service of this company, crossing its emotions and its questions.

In an absurd and bewildered universe, five individuals walk paths from the possible and feasible to the limit of danger. Change of situation, false steps and body deformations. Movements contribute to imagination, rhythm is an inclusive language between artists and the public, in this exchange with the sound of asphalt.

Through tehir comprehensible, conflictive, foolish play, their choreography is a journey in motion. They go from solitude to being together, from absurdity to method, from floor to sky, from sweet to deafness.

Photo: Lisa Lambrech

Julia Behar Bonnet is a circus artist, musician, singer and dancer. He trained in staging at the University of Poitiers (France), and in circus at the Rogelio Rivel school in Barcelona, where he specialized in the art of balance on a cable. In 2019 she embarked on several tours with Gommette and Gabatcho Circus (Switzerland) and collaborated with circus artists as a performer, director, external gaze and/or musician. She currently lives in Toulouse and collaborates with different companies (Sweet Xili Circus Company, Nostraxladamus, etc.). In autumn 2023 begins the creation of ‘Tendre’, a solo that mixes circus, music, dance.

‘Tendre’

Everything begins or ends with a tender and violent desire. Deep and visceral. An emergency. To do in common and call this urgent need for tenderness…

Photo: Milki Lee

If Circus focuses on collecting historical memory and using it as a source of inspiration for their creations. Weave is the ancestral art that inspires the company together with the recovery of the knowledge of its grandmothers.

‘Melic’

‘Melic’ is a dialogue between hand-woven strings that are transformed, tensioned and faded, woven and undone. Strings that hold us, that cradle us. In the “Taller Teixint Memòries” weave with our hands the string that appears in the show the next day. A meeting point to share the art of weaving and telling us anecdotes.

Dora Komenda is an architect and self-taught circus artist from Split, Croatia. In 2015 she achieved a master’s degree of architecture and simultaneously discovered circus, developing in both disciplines ever since. Her portfolio of performances, shows and multimedia exhibitions is rich in collaborations with architects, musicians, visual artists and animators. Since 2018 she has worked as an artistic director in Cirkus Kolektiv, and in 2021 she founded the architectural office Kolektiv tri along with two partners.

Konstrukt

Konstrukt speaks about failure and dealing with wrong choices. Aerial equipment in the show is altered so it becomes fragile, unsafe and unsuitable for use. The characters are mad men, fools who keep trying to perform on it, and invest a lot of effort into a battle that is already lost. They ultimately face a question – how to deal with failure? Acceptance, giving up, stubbornly defying to the point of exhaustion, or a deus ex machina that rescues us all from this curse by a supernatural force, because no solution grounded in reality is possible.

Photo: Jakub Dusek

Cia. La Bel•Bel is formed by Marta Punsola, La Tona, (Cia Zero, Spazio Bizzarro, Cronopis Espai de Circ), and Jordi Puigoriol, el Putxi, (Cie Cirquons Flex, Cie Les Pieds Sur Terre, Cie XY). After their respective training and some professional experiences, in 2023 they exchange artistic ideas and embark together in the creation of a piece that is currently provisionally called ‘Guillem’.

‘Guillem’

Contemporary circus piece narrated in first person. It combines acrobatic balances, movement, text and audiovisuals.

All wounds leave a mark. Sometimes this mark is perceptible and trauma can be recognized as a scar. However, there are experiences that, despite not leaving a physical mark, are housed in the deepest of the soul, hidden in some corner.

The tingling, diplopia and loss of sensitivity corresponds to each of the phases of Guillain-Barré syndrome, which attacks the nervous system. This loss of sensitivity is reflected in parallel with the loss of social sensitivity in all areas.

Even so, light always sneaks through some crack, and therefore, awareness of the wound leads to acceptance and the will to rebuild.

Foto: Oriol Segon

TENSA company is formed by the circus artists Joan Sala and Anna Montaner. They are currently in the process of creating ‘Butza’.

‘Butza’

The company was created in 2019, when Jean and Paula finished the professional training of the circus school in Grenoble (France). They create their first show ‘Etrangers Etrangers‘ that deals with the fear of the unknown, the intolerance and the prejudices that each one has. With this show they have done more than 100 performances and, currently, continues to tour French and European festivals. At the moment they are in the process of creating a new piece ‘En Panne‘ (provisional title), in which the duo is accompanied by a musician.

‘En panne’

From a distant planet, a spacecraft has been sent to analyze other forms of life. During their journey, crew members have a problem and must land as soon as possible. Faced with a handful of curious looks, travelers find it difficult to establish communication with the local population, which is not familiar with their language. With so much incomprehension, they rush to repair the ship, but the sound that comes out from their machine begins to create an unforeseen link with the natives.

The contemporary circus collective “Būda” (Vílnius, Lituania) was created on the initiative of the juggler Kasparas Bujanauskas. The collective examines the similarities and differences between different art disciplines and tries to erase the boundaries between them. “Būda” team is not afraid to play, improvise and look for something that has not yet been discovered. The most important thing is being together and feeling each other on and off the stage.

Falso positivo

This creative process begins from the concept of fake truth that governments use to camouflage realities, which works different artistic processes that have been censored or condemned in Spain in recent years.

Hfjmsldfjk

The story of a person projected in an unknown place. She is alone. Little by little, she will discover and find her place. Dressed in an XL jumpsuit and a hat, is she really a woman?

Crossing Lines

Balancing on ropes or wires has always had a very symbolic power but accessible to everyone. These artists use their skills as a method of connecting with the world.

Inmunda

A wax heating machine, a swivel chair; a person waiting for herself. The intimacy of thought in front of the bathroom mirror. The dialogue that exists between what we expose about ourselves and the space where we allow ourselves to see, feel, hear.

D’Amore e di Peperoni

A journey into mind and memory, where lust and ecstasy surface, rotting in pain and anger. Through attraction-repulsion the criminality of romantic love becomes evident.

Craier

A visualization of the stages of life, without a story, without a reason. A work created to attract the attention of the spectator, always waiting for what is to come, surrounded by the sound of footsteps.

Ex-libris

Moments of unnoticed happiness: small things or moments of daily life that make us happy, that make us get out of the routine and bring us a ray of light.

Artist collective with the aim of exceed the borders that limit us. His work transcends a level of life positioning of fraternity in front of a world that drives people towards individualism.

Sweet drama

Life is a SWEET DRAMA! It’s caothic and full of imperfections just like us. Get the peace among this chaos…this is the light. And the light only exists if there is darkness.