Trànsits

Linked to the performing arts for more than fifteen years, she has developed a multifaceted career as a stage creator, circus artist, set designer, costume designer, and performer. Her artistic practice brings together three main languages: circus, stage space design, and documentary theatre.

In the field of circus, she worked for five years at Berlin’s Volksbühne, directed by René Pollesch, in the production Kill Your Darlings!. In recent years she has collaborated with the documentary theatre company Mos Maiorum, taking part in the creation of Mos Maiorum, Gentry, Turba, and Solar, directing the latter, which was nominated for the 2024 Max Awards in the category of Breakthrough Authorship.

In parallel, she has designed the scenography for several productions on the national and international stage (Marta Pazos, Israel Solà, Jordi Oriol, Atresbandes, Common Ground, among others). She currently directs and co-coordinates the Master’s Degree in Stage Spaces and Art Direction at BAU, University Center of Arts and Design in Barcelona.

Körperbildung is a project born from the intersection of circus and documentary, and it starts from a central question: how does the passage of time affect circus artists? The proposal invites reflection on how this bodily heritage is built over the years and how the relationship with one’s own body evolves as time goes by.

To address these questions, two lines of research are developed. On the one hand, testimonial work; on the other, stage-based research with three aerial artists from different generations: Pili Serrat, Cèlia Marcé Oller, and Nicole Taranenko.

An intergenerational mosaic that brings past, present, and future into dialogue.