Trànsits

Morgana was born in Bologna in 1995, with a twin sister. After training in rhythmic gymnastics and studying Psychology at the University of Bologna, she discovered contemporary circus. She trained at the FLIC Circus School in Turin, where she studied clowning, contortion, and contemporary dance. She also obtained a master’s degree in Psychosomatics at the Villaggio Globale in Bagni di Lucca. In 2022, she founded the street circus and theater company Le Vamp and, eventually, resumed playing with Barbies, becoming Miss SBarbie.

Miss SBarbie

Once upon a time there was a plastic body. Maybe 2, maybe 10, maybe a 100… Or maybe a 101! There were once a lot of little cyborgs that brightened the lives of little girls, allowing them to imagine all the possible worlds, places, and moments that those inanimate creatures could materialize and experience. There’s Morgana. 
And there are the Barbies: my friends, my doubles, my audience, my enemies, my superpowers, my bullets… There’s Franchina, the automated car… And, of course, there is Ken… Human!

Arrel trains at the CAU School of Circus and Theatre in Granada, specializing in fixed trapeze. The artist creates and participates in various shows, both circus and other disciplines, standing out in performances such as La Ira, La cultura del odi, or No-conformes. Arrel works as a circus workshop leader and trainer at the Aire Circo Vivo School, La Volta, TuSí(K)Circ, La Rogelio Rivel, Del Revés, and the Caixa d’Eines program, among others, while continuing to train in other scenic and circus disciplines, and is part of Cata Aguayo’s Aerial Creation and Research Laboratory. He/She has also completed a degree in Social and Cultural Anthropology in Barcelona.

Lutum

Lutum invites us to contemplate the fragility and mutability of the body, a living and perishable weave that sinks into paralysis. It raises the question of how the idea of death, linked to the conception of illness, maintains an analogous (and anal) relationship with sexuality and gender questioning. Lutum offers a raw and organic scenic experience, revealed under the gaze of the spectator through trapeze, balloons, cameras, and video projections.

Otra Vez Lunes is an emerging contemporary circus company formed by Sofía Demicheli and Mariana Fernández, two trapeze artists with over ten years of experience on the scene. Their exploration on the trapeze is based on movement research, the search for breaking conventional forms, and using this technique as a poetic and expressive tool through the body in suspension. It also involves supporting each other on stage and on the trapeze, creating a space of trust and mutual support.

This is Not a Love Song

This Is Not a Love Song is a contemporary circus show that explores the complexities of love in pop culture, using satire to question romantic conventions and how they affect female self-perception and relationships. Through the skills of Sofía Demicheli and Mariana Fernández on the trapeze, stereotypes are challenged while creating a poetic narrative through movement. The stage space and visual elements enhance the experience, merging circus art with storytelling in a unique way.

The Circus Company “eia” («unforeseen impulses agreed» in French, “yes” in Sardinian) was founded in 2009 through the fusion of various artists: Armando Rabanera, Fabrizio Giannini, and Cristiano Della Monica (Cirque Vague, Circo de la Sombra, and Le Grand Osim Orchestra), and Francesca Lissia and Celso Pereira (Celso i Frana). With fifteen years of collective experience, five active creations, and over 800 performances in 25 countries, it has established itself as a leading company in contemporary Catalan and Spanish circus. At the core of its creations is a human circus, capable of evoking the complexity of human relationships.

Secrets

Secrets is a creation project for a contemporary indoor circus for five acrobats that will premiere in the Spring/Summer of 2026. In this project we will question ourselves about the passage of time and the transformations that it causes, with special attention on making visible and giving value to those things that we often hide. What would we ask of our last shooting star?

The collective was formed in 2024 following its first creation, Scandale. It originated from an invitation by Martina Monnicchi, who brought together Sofia Zambrano, Karine Saroh, Aïna Duc, Cecilia Stock, Yann Champelovier, Nathalie Maufroy, and Victor Marre-Cast in search of a collective writing process. Beyond this creation, the group aims to produce hybrid performances that engage with and adapt to aerial space.

Scandale

“Let’s try, for once, not to be right.” How does scandal take root in bodies that fight against domination? In bodies that are altered, embodied, and that confess themselves? Scandale aims to explore the construction of norms and the gaze projected onto them. With aerial space as its starting point, the collective works and positions itself at the crossroads of circus, performance codes, and visual arts.