Trànsits

Polychromatic Void

For some time now I have been quite obsessed with ambient music and the generative systems that many sound landscapers use to reach new horizons and textures. After researching a lot about generative music, I decided to do the same with juggling, and look in the direction of a couple of subgenres that I currently call Ambient Juggling and Generative Juggling.

Ambient Juggling is an unpretentious juggling, it is an act that has as its engine the constant dissolution, it exists without having to stand out with respect to the environment. Generative juggling goes a step further, trying to understand the whole environment as a system that gives inputs and receives stimuli, and based on all these parameters it evolves towards unplanned places, but they can be bounded. Polychromatic Void is more aimed at “generative juggling”. Create a system between juggling, juggling, video, music, lighting, code and other elements, where everything is connected and in a constant dialogue.

Animus Anima

Animus Anima talks about being molded and cohabited by a pairing of energies that can take different names: hot/cold, outside/inside, ying/yang, feminine/masculine. It talks about his relationship with society, with preconceptions, with standards of beauty and social pressures. Submissive to an evolution which pushes it to go backwards, this being lives a true freeing in front of the public, making a comeback to the primitive.

An autobiographical research conceived as a cheerful provocation, to build complicity with the audience through humor. Through the pole, a place where everything merges and acquires a sense. And through the Disco Dance, discipline that embodies speed and exhibition in front of a jury, represented here by the audience itself. All this will be in order to show to what extent the judgments and the social pressures lead this being to transform, embellish and camouflage obsessively its body, until falling into a grotesque aesthetic.

Foto: Alian Richard

Stravaganza

The acrobatic body has the dizzying ambivalence to exhale its extraordinary abilities while denouncing how fragile it is.

Circus training that focuses on difficulty and aesthetics with maximum control of vertigo creates a body of super hero: successful and coherent with current capitalism, adapted to the market. The most frequently asked questions in training are related to how to be effective and safe. Effective, successful… such capitalistic words. How do you train when what you are looking to share on stage is fragility and not super-powers? What are the possible places for precariousness, or for monstruosity, or for simplicity? What scenic and training strategies or particular conditions allows an artist to be able to induce, create and live vertigo situations, so that they can physically share them on stage? Finally, what is the poetic and artistic power and the social interest in doing that today?

El Desè Home

To carry in your mind and body all those thoughts and delusions that attack your head when you want to fall asleep. Those who go deep into the cortex and expand through insomnia. Those which end up expanding uncontrollably if you ignore them…

I take the opportunity to stop (for a little while) and to take some air. Press the brake and catch impulse, towards nowhere… to keep walking in a changing body, in a stunted world.