Trànsits

Ino

Seven women, do not have much weight in this world.

So we thought: “What if.. we pile each other up?” INO is us, dressed in various layers of social conventions, just like everyone else. Layers that bother us and that don’t allow us to move freely.

We grab one another by our clothes, we pull each other, we help each other to remove the layers that cover us. We realize that it’s heavier to carry the weight of social expectations than that of our own bodies.

We hold onto one another, we cling to each other, we support each other. Simply it is what we want to do, together.

Mer de plastic

This multi-disciplinary show uses comedy and drama to comment on human stupidity. From an ironic perspective, it deals with the irremediable absurdity of the human being as constructor and destroyer. We talk about our reality from fantasy through the language of circus, an aquatic dimension, three creatures and a predominant material: plastic.

Homenaje

HOMENAJE is that moment when something stopped and there is no going back.

HOMENAJE is a tragicomedy that travels from death to love.

HOMENAJE is a sweet wound that questions the audience and places it as a possible victim.

HOMENAJE is a time to celebrate, share and live.

HOMENAJE is a challenge to the solitude of the scene.

HOMENAJE is a rebellion against the established.

Signos

Two characters and a whole lot of flour investigate their relationship possibilities, creating images and balance using the body in motion, leaving traces of flour in differing amounts and a subtle humour open to interpretation.

We are two bodies which entwine and separate to end up where they began. Two stains which mix until they are indistinguishable. Leaving the same footprints (and handprints) and following the same path until we become one piece of dough.

Fil

Fil is a creation which explores human relationships through a universal language: the physicality. Two characters embark on a set of tensions between reality and fiction, reason and emotion, to project an imaginary with which they capture the audience’s complicity.

A poetic, reflective and near spectacle, where balance are always present.

Fil is the first show of the company; a contemporary circus creation that also combines elements of dance and theater.

Proyecto PAPY

A contemporary fool, circus show, which mixes slack rope, juggling, fakir and so very many other fantasies. It’s about human confirmation, in the skin of a woman who wants, wants to be good, to be beautiful, to save whales, rebuild Paris’ Notre Dame, vote for the best candidate, eat organic, be trendy, recycle, visit the Philippines, be a mother, dance well, be intelligent. Be simple, be trendy again, help an old man, adopt a man, feminist, ecologist, with a social and philosophical conscience in which the artist deploys all of her circus talent and fierce sensuality. Strong but fragile, beautiful but a beast, clumsy but wise, Pisces, but with Virgo ascending.

Project Papy invites the audience to live an atrocious moment of love and laughter and love and power and laughter and sadness. A moment of contemporary life.

The truth of these concepts can be questioned, but don’t worry, Presidents lie more, write worse and take drugs (until they become evangelical).

Oveja negra

The Story of a young woman in times when it was normal to marry, have several children, do housework and give up your professional career. A problem which still remains for many women.

Located in a historical context where it was difficult for a woman to occupy a powerful position, this woman decides to build her own artistic company by pretending to be a man. So, she creates a duo show with a partner who doesn’t know her status as a woman. This is the starting point in this story which combines comedy, duo acrobatics, dance and physical theatre as a means of communication.

Mentir lo mínimo

Divest.

Let the reality out.

Minimum play. The sum connection of two fragments.

The audience that invades the stage. The stage that breaks into the building.

The spectator becomes an actor rewriting reality. The present becomes a back and forth game.

No stage, no stands.

No actors, no audiences.

There’s no acting anymore, there’s only truth.

A collective experience in an unusual place.

We maintain a dialogue with the audience through movement, weight, directions. The questions will always stay, but the answers will never be the same.

Nus

Nus (trad.lit. Knot) is a contemporary circus piece starring Cèlia Marcé Oller, accompanied by a trapeze, ropes and pulleys. It is an open door to the inner struggle to find answers to undo and move forward. Nus tells us about the constant contradiction between the insistence of self-improvement and the withdrawal in defeat; a walk through the limits of emotions. Shrunken heart and open arms.