AGENDA
LA CENTRAL DEL CIRC
TRAINING
CREATIVITY AND RESEARCH
The objective of the Transits residency program is to offer support to the companies that are in need of a physical space and support to carry out their artistic projects (research, creation, rehearsals, etc.), encouraging artists to take a more active approach to research and challenge their work.
In order to meet the needs of the stage in which the creative process of an idea or project finds itself, and enable true progression, we’re proposing various residency formats, accessible to artists and companies following a public call held in November.
However, the format and conditions of the residencies evolve each year, in order to maintain their relevance and be up to date with contemporary circus reality.
Here you can read the rules and requirements of the last public call.
Animus Anima talks about being molded and cohabited by a pairing of energies that can take different names: hot/cold, outside/inside, ying/yang, feminine/masculine. It talks about his relationship with society, with preconceptions, with standards of beauty and social pressures. Submissive to an evolution which pushes it to go backwards, this being lives a true freeing in front of the public, making a comeback to the primitive.
An autobiographical research conceived as a cheerful provocation, to build complicity with the audience through humor. Through the pole, a place where everything merges and acquires a sense. And through the Disco Dance, discipline that embodies speed and exhibition in front of a jury, represented here by the audience itself. All this will be in order to show to what extent the judgments and the social pressures lead this being to transform, embellish and camouflage obsessively its body, until falling into a grotesque aesthetic.
Foto: Alian Richard
‘Trying to say what’
Specializing in rope and aerial silks, Gaia Panero is currently in the process of creating the piece ‘Trying to Say What’. The research she seeks to develop has started as a physical and technical research around the discipline of rope, transforming it into an investigation into the possible relationships between the rope, the artist’s body and the space that hosts them.
From this first research, the need has arisen to create a structure that is at the same time performance space and art installation, where circus art interacts with architecture. It will be a tensegrity structure, a name derived from the words “tension” and “integrity” and will be sustained by opposing forces.